If you’re interested in how other forms of dance infiltrate ballet—and you live near Seattle—check out Peter Boal’s Director’s Choice evening at Pacific Northwest Ballet. He’s got company favorites by (post)moderns Susan Marshall (Kiss) and Molissa Fenley (State of Darkness), and TAKE FIVE…More or Less by musical theater mastermind Susan Stroman. What’s new? A world premiere by Alejandro Cerrudo, everyone’s favorite tall, skinny Spaniard, who can flip between classical ballet (silky pirouettes) and modern (large scooping moves), as he did for Wendy Whelan’s Restless Creature. March 14–23. Click here for tix.